I’m headed to a new artist residency program out in the forests in Washington state, the Rockland Woods Residency. I sort of can’t believe all the amazing artists I’ll be in community with. I’ll try and feature them each while I’m there. I hope to make some video work about desire and landscape, write some alchemy poems, and make friends. I think it’s going to be good for my soul!
I was honored to share about Peace Light’s history and genesis with Imani Roach from Artblog Radio last week. You can listen here. We talked about where the concept came from, audience, collaboration, and what it means to be alive and an artist in the world.
Wonderful news! I was commissioned by the Asian Arts Initiative for an installation piece as part of their 25th Anniversary exhibition series, (ex)CHANGE: History Place Presence. I am honored to get to work with builder and designer Kai Wei Hsu and dance artist JungWoong Kim in realizing this installation, and can’t wait to have it go live in May!
I”ll be in Philadelphia the last week of March finalizing some of the material aspects of the installation, making video work, and capturing sound for a sound score.
The Asian Arts Initiative has been a very special place to me. I’ll never forget that Gayle Isa, the Executive Director, fostered my interest in performance–even inviting me to participate in a performance arts exchange and series many years ago. AAI is a rare place. It’ll good to be back home with them!
My third post for Harriet the Blog is live at the Poetry Foundation!
My second post at the Poetry Foundation for Harriet the Blog is live today. Titled, “Light is a Complex Medium,” I write about Michele Kishita, James Turrell, Josef Albers, Claude Monet, and the emotional resonances of light and color.
Hi All! My very first post as the featured blogger is up at the Poetry Foundation today. I write a little about what light means to me, my practice, and sketch out what I hope to discuss through this series. Please take a peek if you can. 🙂
I’m super excited to share that I’m the featured blogger at the Poetry Foundation’s blog, Harriet, for the month of December. I’ll be writing about a Poetics of Light, some visual artists, philosophers, and writers that I adore, as well as various landscapes. Yay!
The Poetry Foundation has been incredibly generous and reached out to me several times this year for various opportunities and partnerships. I’m stunned and gratified by their support! When I first started writing seriously almost 20 years ago, I never imagined I’d garner any kind of critical attention or broader audience. It was just something I had to do out of necessity–explore the world and express myself in this way. I feel honored to get to cap this tumultuous year (and beautiful!!) year writing about my most favorite things. I hope you check it out and that some of what I share sparks your thoughts, too!
So I have to fangirl out a bit. I MET LI-YOUNG LEE TONIGHT and he is every bit as magical as I suspected. He gave the most intense reading and I had to follow him. I could barely even. This man’s poems were the green light to me that I could also be a poet. The intensity of his lyric expression told me that I didn’t have to perform a certain script for pain or survival. And after I shared my work, he told me it was beautiful. I hope I get to see him again. I gave him a copy of my new book, because it was LI-YOUNG LEE.
It’s out! I can’t believe I’m in here, and in such incredible company. WOW. They published a selection from my Daybook project, when I wrote daily responding to the headlines about the North Korean missile crisis in the midst of heartbreak and longing. It seems useless to me to reference the year, since we’re collectively caught in a loop in the broader cultural psyche when it comes to Korea and the tensions there. Exploring that is a project I could spend a seeming lifetime on. How often must we sip from that f*cked up well until it is dry, we are dead, we are miraculously made whole again, or some other option I can’t think of right now.
I’m grateful to be included. I”m grateful for the editors, most especially Tim Yu and Lawrence Minh Bui Davis, for their enduring friendship, how they have made spaces for me and for others.
If you haven’t got a copy of Solar Maximum but want to enjoy its crazy apocalypse light this summer, now is your chance. My Elgin Award-nominated speculative poetry collection is on sale now with the code HELLYEA at Small Press Distribution. It also might be one of the most beautiful artifacts I’ve personally had associated with me. Dan Machlin and the Futurepoem team did an incredible job with the design and creation of this book. WOW.