Featured Chapbook in the latest Drunken Boat

Dear Friends,

I wrote this collaborative piece imagining future economies a while back. It was presented at the &now festival in San Diego with Cara Benson, Rachel Levitsky, and Dana Teen Lomax (as a virtual presence) with a soundtrack by my friend Brian Thrash. Though the piece was originally conceived of as a performance, I felt that as a text on its own, it stood up really well and I was pleased with how it turned out. 

I asked my friend Nicholas DeBoer if he’d be okay with receiving a contributing author credit, as he gave me many of the lyric sections that went into the piece. He very kindly agreed! And now, it is up and published in the latest issue of DRUNKEN BOAT as a featured chapbook. Many thanks to guest editor Melissa Buckheit for fishing this work out of me. 

There are also a few of my “invisible” pieces, pieces that obliquely explore heartbreak and beauty in the most simplest way I know. If you have time, please take a peek. 

Storming the Northwest: Mark Your Calendars!

I’ll be at numerous events in the Bay Area and Pacific Northwest the first week of May. If you’re around, please come out!

May 4-5: Emergent Communities Conference at UC Santa Cruz

May 6: Emergent Communities Plenary in San Francisco for Small Press Traffic

May 7: Reading with Crystal Curry at the Hedreen Gallery in Seattle

May 9: Reading with Ray Hsu in Vancouver

 

The conference in Santa Cruz and the plenary discussion in San Francisco should be incredible. Tisa Bryant, Vanessa Place, Ronaldo Wilson, Anna Moschovakis, and Juliana Spahr are among the many participants!

 

Mark your Calendars: Subterranean Technologies at the AAWW Friday April 27

Subterranean Technologies: The Ambient Poetics of Tan Lin, Pamela Lu, Sueyeun Juliette Lee, Dorothy Wang, and Lucy Ives

Friday, April 27, 2012, 7PM

Join us for a night of ambient poetics with three experimental writers who probe the relationship between art- making and found technologies from parking garage reverberations to the neon glow of TV broadcasts. Treat your ears to Tan Lin’s Insomnia and the AuntPamela Lu’s Ambient Parking Lot, and Sueyeun Juliette Lee’s Underground National.  Williams College professor Dorothy Wang will moderate and Triple-Canopy Editor, Lucy Ives, will live-tweet the event.

The recipient of a Getty Distinguished Scholar Grant and a Warhol Foundation Writing Grant, Lin is the author of Seven Controlled Vocabularies, lauded by Warren Liu as “an utterly, compellingly boring film–I’ve already forgotten it in the best way unimaginable.” In Tan Lin’s latest work, Insomnia and the Aunt, a young man’s memories of visiting his Chinese aunt at her motel, recalled almost as if written by their TV set. The aunt’s memory ghosts her nephew’s television screen, their shared past-time.  The aunt “resembles the biography of a dead person where the dead person has somehow forgotten to die. She speaks casually, like the speech of a language without a speaker.”  Lin’s experimental novella is indexed by photographs, postcards, and the indicia to an imaginary novel, mimicking the seamless repetition and reproducibility of images on the television. In Lin’s beautiful and wonderfully odd elegy, technology acts as an emotive transmitter engaging the two relatives in erotic simulacra.


Pamela Lu’s Ambient Parking Lot profiles a noise music band’s search for the ultimate ambient sound and is the follow-up toPamela: A Novel, an experimental poetry classic and one of SPD’s bestselling books of the 90’s.  They sample revving engines, the parking habits of the rich and famous, and commercial parking spaces. Reading Ambient Parking Lot is comparable to “watching an indie webisode spin-off of ‘Behind the Music,’ as Lu tracks the Ambient Parkers’ absolute mediocrity in awkwardly-awesome crescendos and geeky-fantastic loops,” says Jai Arun Ravine ofLantern Review Blog.


The author of That Gorgeous Feeling and Underground National,Sueyeun Juliette Lee could be the only poet to write about U.S. intervention in Korea and the dating patterns of K-pop stars. Sueyeun is a transnational collagist who perverts found documents and replaces fixed histories of square footage, geographic boundaries, and global affairs editorials with erasure. In her second book of poetry, Underground National, Lee remixes celebrity suicides, tourism trends, and web splices to put forth a subterranean account of Korean culture.

 

This event is co-sponsored by St. Marks Poetry Project

@ Asian American Writers’ Workshop
112 West 27th Street, Suite 600
Between 6th and 7th Avenues
Buzzer 600
$5 suggested donation

I Am Korean American

Hey All!  I wrote a piece (Brainard-esque) about my experiences as an Korean American — it’s the sort of writing people don’t see often from me, but I thought it would be great to contribute and be a part of this resource. If you have some time today, please check it out. (Click image below).

I will now be teaching in the Fortress of Solitude and I started a new blog

Great news! I was offered a Visiting Assistant Professorship in the MFA program at the University of Pittsburgh for the spring semester. I’ll also be teaching there this fall as a composition instructor. I’m looking forward to getting to know about the students, having a schedule, trying out some new methods/ideas.

I finally had the chance to check out the building where I’ll be teaching…

This building has its own wikipedia page. The Cathedral of Learning is “the tallest educational building in the western hemisphere.” It is immense. This picture PERHAPS does some justice to the sheer size of the building…note the various strata of cloud cover it seemingly penetrates.

However, rather than feeling awestruck, I was initially anxious when I realized that I’d be teaching somewhere inside it. I had problems before with “sick building syndrome”-like symptoms when teaching in the high rise at Temple University. BUT, the good news is that this building was constructed BEFORE such toxic materials came into play–during the 20s and 30s.  Inside, it’s a true cathedral with vaulted windows, and pew-like seating in the main atrium area.

I appreciate the intentions that went into this building. It announces to us that learning is sacred, helps us commune with the larger, vaster possibilities of the world. It’s rather mysterious. Things unfold, turn in on themselves, offer holy insights. A ray.

Maybe it’s because I’ve been blogging about superheroes over at my new blog project SPECULASIANS (a collaborative study of representations of Asian-ness in the future), but this building reminded me of the Fortress of Solitude.

Will I commune with ancestral spirits in these halls? Will I learn to make peace with my inner demons, doubts, and impossible abilities? What massive forces of creation and destruction will be unleashed? More importantly, will I see MARLON BRANDO’S GIGANTIC FLOATING HEAD?

New fiction by me, and I also review Pamela Lu and Tan Lin’s latest books from Kenning Editions

Hi friends!

I’m very excited about these two announcements. My latest review is up, of two writers working in prose forms who’ve interested me for a long while: Tan Lin and Pamela Lu. Their newest books, from Kenning Editions, are great. Go run out and read them.

Also, Fortunato Salazar over at Everyday Genius has just posted some of my latest fiction-y work. Run over and check it out!

Video Poem for CA Conrad’s Jupiter 88

Hello!

It’s a wonderful and sad thing. Since I’m moving to Pittsburgh in a month, I’ve been making sure to really enjoy my time in Philadelphia and reach out to friends, attend events, and generally be much more social than I have been in the past few years. It’s a double-edged thing, though. I can already forecast how I’ll miss my friends, these spaces. I have to remind myself that I’ll have my memories nestled up inside as keepsakes.

Last night was one of those nights I’ll hold onto for a long while. CA Conrad came up for dinner, and my friend Dorothea Lasky has been visiting. I cooked up a bunch of food, and we had such a great time. Conrad let me film him for this little video project I’m working on, and then filmed me for his video poem series, Jupiter 88. It was incredible. I’ve always wanted to travel to travel through space, and Conrad helped me do it! Not to mention how I got to enjoy Dottie’s impromptu karaoke. Haha!!

I’m also posting a picture of me with Frank Sherlock and Rod Smith from the Chapter and Verse reading series. I was the “chapter” aspect of the night, as I decided to read some of my speculative work that acts more like fiction.

Hello! I’m reading at Chapter and Verse!

If you’re in Philadelphia this weekend and free Saturday evening, come check me out over at the Chapter and Verse reading series, curated by Stan Mir and Ryan Eckes! I’ll be reading with FRANK SHERLOCK and ROD SMITH. I’ve actually never read with either of these men, though I think they are quite brilliant, so I’m terribly excited about this. Frank is also a poetry brother of sorts, as we are both on Factory School Press!

The reading is at Chapterhouse Cafe, 620 S. 9th St (between South & Bainbridge) at 8PM.

Here are the author bios below:

Rod Smith is the author of Deed, Music or Honesty, Protective Immediacy, and In Memory of My Theories. A CD, Fear the Sky, came out from Narrow House Recordings in 2005. Smith lives in Washington, DC where he edits Aerial, publishes Edge Books, and manages Bridge Street Books. With Peter Baker and Kaplan Harris, he is editing The Selected Letters of Robert Creeley for the University of California Press.

Frank Sherlock is the author of Over Here (Factory School), Feast Day Gone & Coming (Cy Gist), The City Real & Imagined (Factory School), a collaboration with CA Conrad, andReady-to-Eat Individual (Lavender Ink), a collaboration with Brett Evans. Sherlock contributed to Journeys South, a public installation project in South Philadelphia, writing seven poems for broadsides called Neighbor Ballads, which celebrate figures from immigrant communities that continue to shape one of Philadelphia’s most diverse and storied neighborhoods. The broadsides, which include artwork by Erik Ruin, can be found in honor boxes along 9th Street and East Passyunk Avenue.

Sueyeun Juliette Lee lives in Philadelphia, where she edits Corollary Press, a chapbook series devoted to multi-ethnic experimental writing. Her books include That Gorgeous Feeling (Coconut Books) and Underground National (Factory School). She is also a contributing editor to EOAGH and The Constant Critic.